30. Vendors and People
​with Baskets

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Hover your mouse over small images to read their captions. Click images to enlarge.

Enamel-painted Figures

30.6a. Like the male figure in 30.6 but the base has a lip on the edge. (c) Hanson's.

30.37a. Look at the gentleman vendor in the turquoise coat (behind the lady holding a bird's nest.) Surely "Sherratt" and a model not otherwise recorded.

30.12A. Mate. Like 30.12 , which is titled "& Partner) and attributed to Ralph Wood. Bocage lost. Courtesy Christie's South Kensington, 20 Sept 2001, lot 19.

30.14a. Attributed to Ralph Wood, a titled example of the Dutch Boy in 30.14. Impressed "50". Courtesy Neil Miller.

30.14b. Impressed number on the reverse of the Dutch Boy previously shown. Courtesy Neil Miller.

30.14b. Attributed to Ralph Wood. The boy (also in 30.14a) is impressed "50". Courtesy Malcolm Trundley.

30.16a. Like 30.16 but without Sir Frances Burdtt's name on the paper in the vendor's hand. I have long suspected that the name may be a slightly later addition. The blue line bands all four sides of this base. Courtesy Hansons.

30.20a. Attributed to the Gray Base Group. Courtesy eBay.

30.26a. Like the figure in 30.25-26 but with a different bocage and probably made by a different potter. Courtesy Elinor Penna.

30.40a. Made without bocage. Courtesy Classic Tradition.

30.42a, Probably the female companion to figures like 30. 41 and 30..42. Much of the bocage is lost...see next image. The figure itself is like 30.44 but the basket is place differently.

30.42b. Reverse of 30.42a. This figure once had 4 bocage branches. This looks like a Leather Leaf bocage leaf, and the base would be consistent with that attribution.

30.43a. Like figs 30.31-43, but the basket is placed differently. Made without bocage. Probably the companion to 30.45--note similarities in the base and the holding of the basket.

30.43b. The bocage is suggestive of "Sherratt" but is insufficient on its own to substantiate an attribution. Courtesy Tayler & Fletcher.

30.62a. Companion model to the girl in 30.62 and probably also attributable to the Box Title Group.

30.63a. Like 30.63 but with fruit rather than flowers in the basket.

30.66a. Note the similarity to 30.64-66. This model was intended as a companion t the model in 30.63.

30.72. Like the single in 30.72 and with further evidence of an Enoch Wood attribution in that a number (34) is impressed beneath.

30.72b. The number 34 impressed the base of the previously shown pair.

30.76a. Like 30.76 but a pair.

30.99. Courtesy Richard Gould Antiques.

30.89a. Like previous examples but with a different bocage.

30.97. With obvious losses, but I think she is intended to be a vendor. Base also lacking.

30.98. I think this is decorated entirely in enamels, and I have noted two or three examples of this figure, as well as the example following..

30.100

30.101

30.102. Creamware body and, I think, enamel colors. (c) Brighton and Hove Museums.

30.103. Unrecorded figure of a lady, probably a vendor.

30.104. Reverse of previous.

30.105. Impressed FRUIT GIRL> Courtesy Lawrence Fine Art Auctioneers, Fitt Reed sale.

30.106. Courtesy eBay seller kinkozanfan.

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Figures Decorated under the Glaze or with Colored Glazes
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This stunning pair of 12" figures seem too significant to include among lowly vendors, but, as each bears a basket, here they are. The image is from "Mr. Frank Partridge's Collection ."

See 30.3 to 30.8 for a very similar model in enamel colors. Courtesy Andrew Dando.

Made without bocage. Courtesy Andrew Dando.

Courtesy David Lay.

See 30.3 to 30.8 for a very similar model in enamel colors. (c) Tenants.

Like 30.11 - 13 but in Pratt colors. Courtesy Andrew Dando.

See 30.24 and 30.27 for very similar models of this rabbit vendor in enamels. (c) Brighton and Hove Museums.

Like the previous figure but on a different base. This is quite a tall figure, as can be seen by comparing it to the figure of Summer alongside.

Attributed to Ralph Wood. Same model as 30.14. (c) Victoria and Albert Museum, London.

Attributed to Ralph Wood. Same model as 30.15. (c) Victoria and Albert Museum, London.

See 30.68 for an enamel- painted example.

Like 30.99 above. (c) Fitzwilliam Museum, Cambridge.

Like 30.98 above but decorated in colored glazes. The base form is an early one that consistently appears on figures from circa 1790. (c) Brighton and Hove Museums.

Like the previous figure but made without the square base. Courtesy eBay seller sac3205.

Courtesy John Howard.

LONDON CRYERS impressed on the front of the base. (c) Victoria and Albert Museum, London.

A companion to the following boy.

I think these may be vendors, but see this vase also on 24 Gardening on this site, along with related vases. (c) Victoria and Albert Museum.

Perhaps from the same molds as the following figure, but much prettier, I think.

Companion to previous girl.. Courtesy Andrew Dando

Height 7 inches, so not too tiny. See also the previous figures of the same form. (c) Victoria and Albert Museum, London.

(c) Brighton and Hove Museums.

(c) Bonhams.

Similar figure molds to the previous example with modifications to the model. (c) Christies.

Vendor with a small figure (a river goddess perhaps) at his feet. (c) Brighton and Hove Museums.

Courtesy Bonhams

(c) Skinner, Inc.

Courtesy Mellors and Kirk.

Possibly made in Scotland. Companion to next figure. Courtesy Martyn Edgell.

Possibly made in Scotland. Companion to previous figure. Courtesy Martyn Edgell.

Courtesy Jeffrey Evans.

H: 5". Courtesy Pickleherring Antique British Pottery.

Courtesy Leonard Joel.

Courtesy Jeffrey Evans.

Courtesy Hanes and Ruskin.

Courtesy Lower Lodge Antiques.

Courtesy Jeffrey Evans.

Courtesy Martyn Edgell.

Like 30.9 but in Pratt colors.

(c) Victoria & Albert Museum, London.

Fish seller,, as shown in Lewis's "Pratt Ware," third edition.

Courtesy eBay seller somereallygoodstuff.

Made by the Yorkshire pot bank that routinely placed large flowers on the corners of bases. Courtesy Marytn Edgell.

Courtesy Richard Gould Antiques.

Fish seller marked "Jacob Marsh" beneath, as shown in Lewis's "Pratt Ware," third edition.

Mark beneath previous figure, as shown in Lewis's "Pratt Ware," third edition.

Perhaps intended as a companion figure to the previous one and possibly too by Jacob Marsh. Courtesy Morabool Antiques.

Courtesy Jeffrey Evans.

See this figure in silver luster below. (c) Brighton and Hove Museums

Lady with basket. The companion figure seems to be a shepherd and is shown alongside for completion. Courtesy Jeffrey Evans.

This shepherd figure seems to be the companion to the lady vendor shown alongside and is shown here for interest. Courtesy Jeffrey Evans.

Courtesy Morabool Antiques.

Courtesy Doyle

This girl's facial features are typical of Leeds. Courtesy Detroit Institute of Art.

Courtesy the William Herbert and Nancy Hunt Collection.

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Silver Luster Figures

The female figure is recorded above in underglaze colors. (c) Jeffrey Evans